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Drawing Centre Diepenheim
An Encyclopaedia of Memory and Slowness Drawing Centre Kunstvereniging Diepenheim, The Netherlands, 2010 One hundred drawings, oilstick on paper
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Drawing Centre Diepenheim
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Drawing Centre Diepenheim
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Drawing Centre Diepenheim
http://shelaghkeeley.com/shaw-street-public-school
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Shaw Street Public School
Art School Dismissed, Shaw Street Public School, Toronto, 2010 Combined process of: ink, pencil, crayon and gouache on paper
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Shaw Street Public School
Art School Dismissed, Shaw Street Public School, Toronto, 2010 Combined process of: ink, pencil, crayon and gouache on paper
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Shaw Street Public School
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Shaw Street Public School
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Shaw Street Public School
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Shaw Street Public School
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Shaw Street Public School
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Shaw Street Public School
http://shelaghkeeley.com/wall-drawing-diepenheim
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Wall Drawing Diepenheim
Site-specific wall drawing, het Ottenhuis, Diepenheim, The Netherlands, 2010 Combined process of: ink, gouache, pencil, chalk, charcoal and collage
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Wall Drawing Diepenheim
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Wall Drawing Diepenheim
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Wall Drawing Diepenheim
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Wall Drawing Diepenheim
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Wall Drawing Diepenheim
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Wall Drawing Diepenheim
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Wall Drawing Diepenheim
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Wall Drawing Diepenheim
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Wall Drawing Diepenheim
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Wall Drawing Diepenheim
http://shelaghkeeley.com/china-series
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2016-07-28
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Tea Pavilion
Tea Pavilion, Cao Yang Park, Shanghai China 2009 my research photographs for a site-specific installation in the tea pavilion in the park ( now destroyed ) 10 photographs each 35 '' x 46 '' archival pigment ink on archival rag paper Collection of the National Gallery of Canada, Ottawa
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Tea Pavilion
Tea Pavilion, Cao Yang Park, Shanghai China 2009 my research photographs for a site-specific installation in the tea pavilion in the park ( now destroyed ) 10 photographs each 35 '' x 46 '' archival pigment ink on archival rag paper Collection of the National Gallery of Canada, Ottawa
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Tea Pavilion
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Tea Pavilion
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Tea Pavilion
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Tea Pavilion
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Tea Pavilion
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Tea Pavilion
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Tea Pavilion
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Tea Pavilion
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Tea Pavilion
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Tea Pavilion
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Tea Pavilion
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News - Cross Circuits with James Oscar / September 12 @ The Power Plant - Make it stand out
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News - Durational Dance Performance: Lin Snelling at The Power Plant - Make it stand out
Photo: Michael Reinhart.
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News - Durational Dance Performance: Lin Snelling at The Power Plant - Make it stand out
Photo: Michael Reinhart.
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News - In conversation: Shelagh Keeley and Adelina Vlas - Make it stand out
Shelagh Keeley, still from Jardim do Ultramar / The Colonial Garden, Lisbon, Portugal, 2016. Film, 180 min. Thanks to the Museu Coleção Berardo, Lisbon, Portugal and ifa-Galerie Stuttgart, Germany. Courtesy the artist.
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News - Durational Live Sound Performance: Mani Mazinani - Make it stand out
Photo: Polina Tief.
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News - Durational Live Sound Performance: Mani Mazinani - Make it stand out
Photo: Jill Aston.
http://shelaghkeeley.com/updatesnews/2025/3/5/pem-hosts-an-evening-with-artist-shelagh-keeley-at-jack-shainman-gallery-in-tribeca
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News - PEM hosts an evening with artist Shelagh Keeley at Jack Shainman Gallery in Tribeca - Make it stand out
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News - PEM hosts an evening with artist Shelagh Keeley at Jack Shainman Gallery in Tribeca - Make it stand out
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http://shelaghkeeley.com/updatesnews/2024/1/16/book-launch-of-shelagh-keeley-ideas-brushing-against-ideas-the-library-as-refuge
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News - Book Launch of Shelagh Keeley: ideas brushing against ideas/ the library as refuge - Make it stand out
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http://shelaghkeeley.com/updatesnews/2023/8/24/a-wall-atlas-of-drawings-tokyo-biennale-2023
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News - The Unfinished Conversation: Encoding/Decoding - Make it stand out
Steve McQueen, End Credits, 2012. Installation view: Art Institute of Chicago, 2012. Courtesy the artist; Marian Goodman Gallery, New York / Paris; and Thomas Dane Gallery, London.
http://shelaghkeeley.com/updatesnews/2022/7/23/flesh-and-bones-the-art-of-anatomy-at-getty-center
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News - Flesh and Bones: The Art of Anatomy at Getty Center - Make it stand out
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News - Flesh and Bones: The Art of Anatomy at Getty Center - Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
http://shelaghkeeley.com/updatesnews/2022/6/21/shelagh-keeley-drawn-to-place-peabody-essex-museum
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News - Shelagh Keeley: Drawn to Place @ Peabody Essex Museum - Make it stand out
Image: Shelagh Keeley, Fragments of the Factory / Unfinished Traces of Labour, 2020. MOCA Toronto. Courtesy the artist. Photo by Toni Hafkenscheid.
http://shelaghkeeley.com/updatesnews/2022/3/6/tokyo-2022-alternative-kazuko-koike-exhibition-soft-movement-of-art-and-design
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http://shelaghkeeley.com/updatesnews/2021/10/31/november-5-6pm-2021-at-moca-shelagh-keeley-in-conversation-with-gatane-verna-amp-november-paynter-introduced-by-kathleen-bartels
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News - Museum of Modern Art, Gunma, Japan
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News - The Globe and Mail, February 22, 2020
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News - The Globe and Mail, February 22, 2020
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News - The McLuhan Centre for Culture and Technology: Monday Night Seminars
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News - Scotiabank Photography Award Longlist Announced
1983 Kisangani Zaire, 2015 A photographic wall installation of 27 photographs taken in 1983 in Kisangani, Zaire now the Democratic Republic of Congo. 10 ' high x 40 ' length Commissioned by the Power Plant, Toronto, Canada for the exhibition : The Unfinished Conversation: Encoding / Decoding. Curated by Gaetane Verna and Mark Sealy. With Terry Adkins, John Akomfrah, Sven Augustijnen, Shelagh Keeley, Steve McQueen and Zineb Sedira. 24 January - 18 May 2015
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News - Stamps Gallery - The Unfinished Conversation: Encoding/Decoding
In Winter 2015, The Power Plant presented The Unfinished Conversation, an exhibition which took as its point of departure the work of cultural theorist Stuart Hall, who devoted his life to studying the interweaving threads of culture, power, politics and history. Featuring the work of artists Terry Adkins, John Akomfrah, Sven Augustijnen, Steve McQueen, Shelagh Keeley, and Zineb Sedira, the exhibition invites viewers to consider how meaning is constructed; how it is systematically distorted by audience reception; and how it can be detached and drained of its original intent to produce specific or slanted narratives. This exhibition was previously on view at Museu Coleção Berardo, Lisbon, Portugal from 21 September - 31 December 2016.
http://shelaghkeeley.com/updatesnews/2017/8/15/fuhgqxovz0f2djecbzufb2hi9u4yci
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News - Persistence at the VAG (e-flux news)
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News - Persistence at the VAG (e-flux news)
Left: Julia Feyrer and Tamara Henderson, Newspaper/Boiler Room Table (detail), 2013–16, from The Last Waves: Laboratory, 2015–16. Center: Germaine Koh, Fair-weather forces (water level), 2008. Right: Shelagh Keeley, Notes on Obsolescence (detail), 2014. Photos: Rachel Topham, Vancouver Art Gallery.
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News - Persistence at the VAG (e-flux news)
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News - GGArts Exhibition, Winnipeg Art Gallery, April 8 - Sept 4, 2017
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News - Museu Berardo - The Unfinished Conversation: Encoding/Decoding
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News - At the Table/MoMa Library
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News - In Order To Join, February 26 - April 19, Mumbai
http://shelaghkeeley.com/updatesnews/2015/2/27/2015-solo-exhibitions
monthly
0.5
2023-08-24
http://shelaghkeeley.com/updatesnews/2015/2/27/2015-group-shows
monthly
0.5
2023-08-24
http://shelaghkeeley.com/updatesnews/2014/8/17/notes-on-obsolescence-the-power-plant-september-2014-may-2015
monthly
0.5
2023-08-24
http://shelaghkeeley.com/updatesnews/2014/8/17/the-unfinished-conversation-group-show-the-power-plant-january-may-2015
monthly
0.5
2023-08-24
http://shelaghkeeley.com/updatesnews/2013/2/8/exhibition-updates-coming-soon
monthly
0.5
2023-08-24
http://shelaghkeeley.com/gouache-drawings-2013
daily
0.75
2014-04-02
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Gouache Drawings
Gouache Drawings, 2012/2013 Gouache acrylic on mylar paper Collection of Vancouver Art Gallery, Canada
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Gouache Drawings
Gouache Drawings, 2012/2013 Gouache acrylic on mylar paper Collection of Vancouver Art Gallery, Canada
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Gouache Drawings
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Gouache Drawings
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Gouache Drawings
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Gouache Drawings
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Gouache Drawings
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Gouache Drawings
http://shelaghkeeley.com/workers
daily
0.75
2013-03-03
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Worker's Pavilion
Worker's Pavilion Cao Yang Park, Shanghai, China 2009 Gold paint on plaster
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
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Worker's Pavilion
http://shelaghkeeley.com/barcelona-pavillion
daily
0.75
2016-06-09
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Barcelona Pavilion
Barcelona Pavilion 1986 / 2015 8 photographs each 35'' high x 46 '' length archival pigment ink on archival rag paper Collection of the RIC / Ryerson Image Centre Toronto Canada
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Barcelona Pavilion
Barcelona Pavilion 1986 / 2015 8 photographs each 35'' high x 46 '' length archival pigment ink on archival rag paper Collection of the RIC / Ryerson Image Centre Toronto Canada
https://images.squarespace-cdn.com/content/v1/510eba99e4b0e3b888bc7c1b/1359922548809-2VT1WSEC44IPGM2SWPWC/securedownload-1.jpeg
Barcelona Pavilion
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Barcelona Pavilion
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Barcelona Pavilion
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Barcelona Pavilion
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Barcelona Pavilion
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Barcelona Pavilion
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Barcelona Pavilion
http://shelaghkeeley.com/new-gallery
daily
0.75
2015-07-01
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Museum Abteiberg
german notes / after lucretius / de rerum natura , 2013 a site - specific installation commissioned by the Museum Abteiberg Monchengladbach, Germany Collection of the National Gallery of Canada, Ottawa
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Museum Abteiberg
german notes / after lucretius / de rerum natura , 2013 a site - specific installation commissioned by the Museum Abteiberg Monchengladbach, Germany Collection of the National Gallery of Canada, Ottawa
https://images.squarespace-cdn.com/content/v1/510eba99e4b0e3b888bc7c1b/1435756358976-2EV7PRHR931CTEK0GK1T/P1020827.JPG
Museum Abteiberg
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Museum Abteiberg
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Museum Abteiberg
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Museum Abteiberg
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Museum Abteiberg
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Museum Abteiberg
https://images.squarespace-cdn.com/content/v1/510eba99e4b0e3b888bc7c1b/1435756367089-LVOEUCJ6VLALQ1Z5BPEL/P1020907.jpg
Museum Abteiberg
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Museum Abteiberg
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Museum Abteiberg
http://shelaghkeeley.com/notes-on-obsolescence
daily
0.75
2016-01-26
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Notes on Obsolescence
Notes on Obsolescence, 2014 Site-specific wall drawing installation on paper 23' high x 40' length oilstick, crayon, pencil, graphite, acrylic, wax, mylar, collage and photographs Collection of the Vancouver Art Gallery Commissioned by The Power Plant, Toronto, Canada 20 September 2014 - 18 May 2015
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Notes on Obsolescence
Notes on Obsolescence, 2014 Site-specific wall drawing installation on paper 23' high x 40' length oilstick, crayon, pencil, graphite, acrylic, wax, mylar, collage and photographs Collection of the Vancouver Art Gallery Commissioned by The Power Plant, Toronto, Canada 20 September 2014 - 18 May 2015
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Notes on Obsolescence
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Notes on Obsolescence
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Notes on Obsolescence
https://images.squarespace-cdn.com/content/v1/510eba99e4b0e3b888bc7c1b/1453842116242-4P6LEOSA3XR0FZ88YINY/_MG_0428+copy.jpg
Notes on Obsolescence
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Notes on Obsolescence
https://images.squarespace-cdn.com/content/v1/510eba99e4b0e3b888bc7c1b/1453842133095-KWEJF7E459IW5QJZURR8/_MG_0435+copy.jpg
Notes on Obsolescence
https://images.squarespace-cdn.com/content/v1/510eba99e4b0e3b888bc7c1b/1453842152370-HS3O6KDTEJHPH1HL826E/Untitled102+copy.jpg
Notes on Obsolescence
http://shelaghkeeley.com/new-gallery-1
daily
0.75
2016-11-07
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Kisangani, Zaire
1983 Kisangani Zaire, 2015 A photographic wall installation of 27 photographs taken in 1983 in Kisangani, Zaire now the Democratic Republic of Congo. 10 ' high x 40 ' length Commissioned by the Power Plant, Toronto, Canada for the exhibition : The Unfinished Conversation: Encoding / Decoding. Curated by Gaetane Verna and Mark Sealy. With Terry Adkins, John Akomfrah, Sven Augustijnen, Shelagh Keeley, Steve McQueen and Zineb Sedira. 24 January - 18 May 2015
https://images.squarespace-cdn.com/content/v1/510eba99e4b0e3b888bc7c1b/1453844508081-J2ELTN6HNKKAQ92OODI8/_MG_3623.jpg
Kisangani, Zaire
1983 Kisangani Zaire, 2015 A photographic wall installation of 27 photographs taken in 1983 in Kisangani, Zaire now the Democratic Republic of Congo. 10 ' high x 40 ' length Commissioned by the Power Plant, Toronto, Canada for the exhibition : The Unfinished Conversation: Encoding / Decoding. Curated by Gaetane Verna and Mark Sealy. With Terry Adkins, John Akomfrah, Sven Augustijnen, Shelagh Keeley, Steve McQueen and Zineb Sedira. 24 January - 18 May 2015
https://images.squarespace-cdn.com/content/v1/510eba99e4b0e3b888bc7c1b/1453844532437-IUQL8UNQMU45LUF28EBL/_MG_3676.jpg
Kisangani, Zaire
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Kisangani, Zaire
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Kisangani, Zaire
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Kisangani, Zaire
Installation shots at the: Museu Colecao Berardo, Lisboa, Portugal The Unfinished Conversation: Encoding / Decoding September 21 - December 31 2016
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Kisangani, Zaire
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Kisangani, Zaire
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Kisangani, Zaire
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Kisangani, Zaire
http://shelaghkeeley.com/new-gallery-2
daily
0.75
2017-08-16
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ifa - Galerie Stuttgart Germany
Stuttgart Research drawings 2016 / 2017 for the exhibition A World in the City : Zoological and Botanic Gardens curated by Kaiwan Mehta ifa - Galerie Stuttgart Germany 5 May - 2 July 2017
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ifa - Galerie Stuttgart Germany
Stuttgart Research drawings 2016 / 2017 for the exhibition A World in the City : Zoological and Botanic Gardens curated by Kaiwan Mehta ifa - Galerie Stuttgart Germany 5 May - 2 July 2017
https://images.squarespace-cdn.com/content/v1/510eba99e4b0e3b888bc7c1b/1502413369846-L4R4Z70IAEYKH4QWZ06Y/UNADJUSTEDNONRAW_thumb_f2e.jpg
ifa - Galerie Stuttgart Germany
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ifa - Galerie Stuttgart Germany
https://images.squarespace-cdn.com/content/v1/510eba99e4b0e3b888bc7c1b/1502824245859-F4I5OEGUXQJQ651ZBQ88/4P1060463.JPG
ifa - Galerie Stuttgart Germany
https://images.squarespace-cdn.com/content/v1/510eba99e4b0e3b888bc7c1b/1502413369000-8EI0R7SXPKVMA9108ZB6/UNADJUSTEDNONRAW_thumb_f2a.jpg
ifa - Galerie Stuttgart Germany
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ifa - Galerie Stuttgart Germany
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ifa - Galerie Stuttgart Germany
Jardim Do Ultramar / The Colonial Garden, Lisbon Portugal 2016 projected film / film stills with thanks to the Museu Coleccao Berardo, Lisbon Portugal
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ifa - Galerie Stuttgart Germany
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ifa - Galerie Stuttgart Germany
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ifa - Galerie Stuttgart Germany
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ifa - Galerie Stuttgart Germany
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ifa - Galerie Stuttgart Germany
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ifa - Galerie Stuttgart Germany
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ifa - Galerie Stuttgart Germany
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ifa - Galerie Stuttgart Germany
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ifa - Galerie Stuttgart Germany
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ifa - Galerie Stuttgart Germany
https://images.squarespace-cdn.com/content/v1/510eba99e4b0e3b888bc7c1b/1502824791910-7E6YCV1S2S5K33GSPVIR/19P1050992.JPG
ifa - Galerie Stuttgart Germany
https://images.squarespace-cdn.com/content/v1/510eba99e4b0e3b888bc7c1b/1502824802647-8W89DKE2IUNT9UABM3QI/20P1050970.JPG
ifa - Galerie Stuttgart Germany
http://shelaghkeeley.com/tokyo-biennale
daily
0.75
2024-10-22
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Tokyo Biennale
TOKYO BIENNALE 2023 / A WALL ATLAS OF DRAWINGS My drawing process is about slowness. It is highly intuitive, expanding notions of conceptual art involving the body, gesture and instinctive intelligence. A wall atlas for thinking with the body. Materialized knowledge … the wisdom and beauty of the body and its language of gestures. I re-claim space through gesture…re-thinking drawing in a filmic, poetic and choreographic sense. Gestures of the body / gestures of the site. Poetics of the void…the unfinished and imperfect. The poetics of chance and the beauty of randomness. Random traces and possibilities for linkages. For the Biennale I created a cognitive drawing map of my experiences in Bakurocho, a wholesale district in Tokyo, researching the rich history of textiles. TOKYO NOTEBOOK / SHADOW INK DRAWINGS FOR GORO NAMERIKAWA BUTOH DANCER / SEPTEMBER 2023 These shadow ink drawings were inspired by the memory of my dear friend and mentor Goro Namerikawa ( Sankai Juku ). I collaborated with him in performances in my large wall drawing installation : Writing on the Body at Sagacho Exhibit Space, Tokyo in 1988. The shadow drawings speak of the way darkness dimly gives back light. A sensibility that sees mystery in darkness itself…the butoh dance of darkness. Goro a luminous presence in his lifetime, like the drawings would reveal and conceal in his dance. The void spaces…the empty and the full. The imperfect, asymmetry and randomness in these drawings speak of spaciousness…let the drawings breathe. I made these shadow ink drawings based on what I saw and experienced over one month living in Tokyo. I let the drawings fall down the walls...
https://images.squarespace-cdn.com/content/v1/510eba99e4b0e3b888bc7c1b/1709408422180-1BO1M6DDES8RNYA5D85L/SHELtokyobiennaleIMG_9337.JPG
Tokyo Biennale
TOKYO BIENNALE 2023 / A WALL ATLAS OF DRAWINGS My drawing process is about slowness. It is highly intuitive, expanding notions of conceptual art involving the body, gesture and instinctive intelligence. A wall atlas for thinking with the body. Materialized knowledge … the wisdom and beauty of the body and its language of gestures. I re-claim space through gesture…re-thinking drawing in a filmic, poetic and choreographic sense. Gestures of the body / gestures of the site. Poetics of the void…the unfinished and imperfect. The poetics of chance and the beauty of randomness. Random traces and possibilities for linkages. For the Biennale I created a cognitive drawing map of my experiences in Bakurocho, a wholesale district in Tokyo, researching the rich history of textiles. TOKYO NOTEBOOK / SHADOW INK DRAWINGS FOR GORO NAMERIKAWA BUTOH DANCER / SEPTEMBER 2023 These shadow ink drawings were inspired by the memory of my dear friend and mentor Goro Namerikawa ( Sankai Juku ). I collaborated with him in performances in my large wall drawing installation : Writing on the Body at Sagacho Exhibit Space, Tokyo in 1988. The shadow drawings speak of the way darkness dimly gives back light. A sensibility that sees mystery in darkness itself…the butoh dance of darkness. Goro a luminous presence in his lifetime, like the drawings would reveal and conceal in his dance. The void spaces…the empty and the full. The imperfect, asymmetry and randomness in these drawings speak of spaciousness…let the drawings breathe. I made these shadow ink drawings based on what I saw and experienced over one month living in Tokyo. I let the drawings fall down the walls...
https://images.squarespace-cdn.com/content/v1/510eba99e4b0e3b888bc7c1b/1709408438121-70F717P1JTLARL8G3X5F/SHELtokyobiennaleIMG_9299.JPG
Tokyo Biennale
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Tokyo Biennale
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2024-08-26
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Ace Hotel
Drawing commission. Collection of Ace Hotel Toronto. 2022.
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Ace Hotel
Drawing commission. Collection of Ace Hotel Toronto. 2022.
http://shelaghkeeley.com/cvitae
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2025-03-27
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2012-01-23
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2013-02-08
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2013-03-03
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2015-05-13
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MoMus Interview
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2015-06-30
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2015-07-03
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Domus Article 2015
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Domus Article 2015
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Domus Article 2015
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Domus Article 2015
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Domus Article 2015
http://shelaghkeeley.com/notes-on-the-project
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2015-07-07
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Notes on the MoMA Project
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2016-01-26
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2016-10-09
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2016-10-09
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2017-02-23
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2017-08-11
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Domus India 2017
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Domus India 2017
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Domus India 2017
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Domus India 2017
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Domus India 2017
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Domus India 2017
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Domus India 2017
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Domus India 2017
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Domus India 2017
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Domus India 2017
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Domus India 2017
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Domus India 2017
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Domus India 2017
http://shelaghkeeley.com/moca
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2020-05-09
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MOCA
http://shelaghkeeley.com/mocaconversation2021
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2024-03-02
http://shelaghkeeley.com/peabody-essex-museum
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0.75
2024-03-02
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Peabody Essex Museum - Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
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Peabody Essex Museum - Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
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Peabody Essex Museum - Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
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Peabody Essex Museum - Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
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Peabody Essex Museum
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Peabody Essex Museum
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Peabody Essex Museum
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Peabody Essex Museum
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Peabody Essex Museum
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Peabody Essex Museum - Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
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Peabody Essex Museum - Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
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2024-03-02
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Marc Mayer Essay - Make it stand out
Pop-up teahouse maquette from Sukiya ezu, before 1869, Tansai Nobutatsu
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Marc Mayer Essay - Make it stand out
Installation view of ideas brushing against ideas/the library as refuge, 2022.
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Marc Mayer Essay - Make it stand out
Michael Snow, reading, a detail of ideas brushing against ideas/the library as refuge, 2022.
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Marc Mayer Essay - Make it stand out
Stills from Kyoto Notebook, 1985, Super 8 film, 108:10 mins.
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Marc Mayer Essay - Make it stand out
Detail of ideas brushing against ideas/the library as refuge, 2022.
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Marc Mayer Essay - Make it stand out
Detail of ideas brushing against ideas/the library as refuge, 2022.
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Marc Mayer Essay - Make it stand out
Insect cages and an incense burner, 19th century, Japan.
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Marc Mayer Essay - Make it stand out
Detail of ideas brushing against ideas/the library as refuge, 2022.
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Marc Mayer Essay - Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
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Marc Mayer Essay - Make it stand out
Detail of ideas brushing against ideas/the library as refuge, 2022.
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Marc Mayer Essay - Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
http://shelaghkeeley.com/new-page-15
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2024-03-02
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1.0
2025-03-27
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Film Notebooks - Make it stand out
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Film Notebooks - Make it stand out
Shelagh Keeley, still from Jardim do Ultramar / The Colonial Garden, Lisbon, Portugal, 2016. Film, 180 min. Thanks to the Museu Coleção Berardo, Lisbon, Portugal and Ifa Gallery Stuttgart, Germany. Courtesy the artist.
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Film Notebooks - Make it stand out
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Film Notebooks - Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
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Film Notebooks - Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
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Film Notebooks - Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
http://shelaghkeeley.com/new-page-49
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2025-11-26