Power Plant’s Cross Circuits program brought writer, art critic, and curator James Oscar into conversation with artist Shelagh Keeley. Oscar reflected on how Keeley’s practice continues a lineage of seeing rooted in quiet, unhurried attention, beyond the hyper-definition of the digital present. Drawing connections to the inheritance of slow cinema, Tarkovsky, Tsai Ming-liang, and others, he theorized Keeley’s approach to the “slow image” as a vital resistance to spectacle.